When The Boy told me, with a great sense of importance, “On December 17, we’re having a
performance,” I immediately started clearing my mental calendar. “Everyone will have a job to do,” he went on happily. “And my teacher said you can come!” I have to admit, I’m way more excited about this than, perhaps, I should be. He’s only in kindergarten and there will surely be many, many performances to attend in the coming years. But this one will be a parenting first for me.
His preschool never held any performances . . . which was probably a good thing, given The Boy’s fierce abhorrence of Singing With Others in those days. He’s still not a big sing-along fan (“Happy Birthday” never fails to piss him off), so I’m particularly encouraged to see him so enthusiastic about this upcoming event. Even if he stands in the back holding up a cardboard snowflake and giving the audience the stink eye the whole time, I’m going to be one proud mama.
But it’s not just The Boy’s newfound willingness to participate in polite society that’s got me so smiley. I’m afraid the prospect of a school winter concert has awakened my inner chorus geek. Oh yes, there’s an inner chorus geek. She doesn’t get much of a chance to emerge these days, but she’s always lurking in the background – singing the kids a few extra show tunes even after they’ve fallen asleep, chiming in with the harmonies at Gymboree’s circle time, bursting into an unwitting verse of “99 Red Balloons” because Little Girl happened to draw one (it wasn’t even red).
And what better time to embrace one’s inner chorus geek than the holiday season, when singing in public is not only socially acceptable, but encouraged? I remember the first time I tagged along with Mr. Black’s family to Christmas Eve mass. I usually feel so out of place at Catholic services, as if the hand of God were about to come down and pluck me out. That not-being-able-to-receive-communion business is always so awkward. But the singing! I still knew every alto part in every carol on the program, from “Silent Night” to “Angels We Have Heard on High.” It was just like the school chorus concerts of yesteryear, only with incense.
I know we’re supposed to remember those school chorus concerts with little more than a fond eye roll ( and there’s certainly plenty of eye-roll-worthiness there), but I hold a special place in my heart for them, too. It used to be such a thrill – being in school at
night; filing onto those risers in our holiday finery; standing under stage lights, facing an auditorium full of darkened applauding figures; the music teachers in their prim suits taking the stage with their game faces on, ready to lead us through that year’s serviceable renditions of holiday standards and super-cheesy originals. Even in high school, when just about everything else had lost its innocent joy to our newly acquired ennui, it was still pretty exciting.
This will be my first time participating in a school concert as the parent. If this fall’s kindergarten Salmon Migration Parade was any indication, I suppose I’d better get there early, bring the camera, and be prepared to throw some elbows for a good seat. But beyond that, I’m not quite sure what to make of my new role here. Will I have an impulse toward stage-motherness? Will I have to work hard to suspend my knee-jerk cynical detachment, forcing down a smirk in the face of the performance’s inevitable cheesiness? Or . . . will I burst into sentimental tears at the mere sight of my five-year-old little guy standing and singing with his classmates? Honestly, I’m putting my money on that last one.
But why? What
is it about a group of kids making barely-competent music together that melts the heart so? Is it simply the ritual? I suppose you could compare it to the first day of school or any number of “baby’s firsts.” Just watching them take their places where we remember taking our places before is enough to bring a lump to the throat. Or perhaps there’s something comforting in seeing our cultural traditions carried out by the future generation, reassuring us on some subconscious level that our society will live on, thanks to The Children.
Mostly, though, it makes me think of
The Music Man. I’m sure any self-respecting chorus geek is familiar with the show, but just to recap: A traveling salesman posing as a music professor sells instruments and band uniforms, promising to transform the small town’s wayward youth into a first-class marching band. It’s a scam, of course, and after two acts of romantic misadventures and dance numbers, the salesman gets caught. But just as he’s about to be sentenced to tar-and-feathering by a mob of angry rubes, in march the kiddos in their band uniforms, instruments in hand. Led by their shackled “professor,” they raise their instruments to their lips and blat out the most endearingly awful version of Beethoven’s “Minuet in G” you’ve ever heard. The parents are charmed to tears, practically swooning with pride, and all is forgiven.
I used to interpret this last scene as a joke; that the folks are so culturally backward they just don’t know the difference. But there’s a heart-warming truth there, too, which is probably responsible for this musical’s popularity: Even if we
do know the difference between a stellar “Minuet in G” and a crappy one, we’d react just the same if it were our kids in that band. After all, just think of how many parents have been forced to sit through insufferable high school versions of
The Music Man only to rise to their feet with genuine, exhilarating pride at the curtain call. It couldn’t matter less that the kids didn’t turn out a Broadway-quality performance. The fun – and the art itself – is in the process.
Or maybe I'm over-thinking this. I just asked Mr. Black what the appeal is in watching children sing. He simply replied "The same reason why people like pictures of babies dressed up as flowers. It's cute."
Have you ever attended a holiday performance at your child's school? How did it go?
You need to be a member of Offsprung to add comments!
Join Offsprung